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UNSPUN

How Hate Learns Its Manners

On Reading Addison Flay’s Essay and the Language of Civilized Contempt

Taylor Allyn's avatar
Taylor Allyn
Oct 24, 2025
∙ Paid
A stark color photograph of a man’s face covered by a white conical hood with stitched round eyeholes and a red tassel at the tip. The lighting is harsh and direct, flattening the image into near abstraction. His green eyes stare through the holes, expression calm but chilling. The background is pale and neutral, evoking the aesthetic of a forensic portrait.
The monster never left. It just learned its lighting. (UNSPUN, October 2025)

“The colonist fabricates and maintains the colonized subject for his own ease of mind.”
—Frantz Fanon, Black Skin, White Masks

Author’s Note

This essay is not a refutation of Addison Flay—it is an autopsy. He is not an aberration but a specimen, valuable precisely because his rhetoric is so fluent, so typical. To study him is to study the grammar itself.

Flay describes himself as a far-right white nationalist. His essay “Blacks Are a Huge Problem” is the subject of this autopsy. Every move he makes has been made before; every sentence he writes was taught to him by a centuries-old curriculum. I am using him as the lens not because he invented this language, but because he speaks it with such unmistakable clarity.

What disturbs me is not that a man could write such hatred, but that so many could read it and nod. The grammar of supremacy has always been seductive—its rhythm confident, its diction clean, its violence dressed in calm syntax.

Every empire has its lexicon. This one calls its panic “prudence.” Its prejudice “pattern.” Its segregation “safety.”

My aim is simple: to trace language back to its first wound—to show how even the most articulate hatred begins as self-preservation and ends as scripture.

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